Arrange-first SATB workspace

Turn one lead melody into a professional SATB arrangement desk

Generate a full four-part stack, solo each voice, compare saved arrangements, and move the lead line into the editor when the harmony direction is locked.

SATB harmony deskCoconet arrangerlead melody to four voices

Current arrangement

SATB voice stack

Review the arrangement as one stacked object, solo any voice, or compare saved versions below.

ModelCoconet
LayoutSATB
StyleBalanced
KeyC Major

Generate harmony to populate the stacked SATB workspace.

Lead melody in, four-part arrangement out.

Arrangement shelf

Keep the arrangements worth comparing

Saved arrangements stay ready for reload, replay, export, or editor handoff.

0/6 saved

Save a strong harmony stack to start your arrangement shelf.

Melody SheetMulti-part Harmony

Switch between 8 music tools
Current:

Multi-part Harmony

Stack 2–4 voices, preview harmony strategies, and export choir-ready arrangements.

How to use the multi-part harmony desk

Move from lead melody to SATB arrangement in one focused review workflow.

  1. 1

    Start with a lead melody

    Use MIDI notes for the most reliable workflow, or convert text/audio into a lead line before arranging.

  2. 2

    Pick a harmony attitude

    Choose conservative, balanced, or adventurous voicing depending on how strictly you want the stack to move.

  3. 3

    Generate the SATB stack

    Coconet fills Alto, Tenor, and Bass around the lead so you can review one coherent arrangement instead of isolated parts.

  4. 4

    Solo voices and compare versions

    Play the full stack or inspect individual voices before saving promising arrangements to the shelf.

  5. 5

    Send the lead line to the editor

    Move the top line into the interactive editor when you want tighter rhythmic or pitch-level control.

Case studies for SATB arrangement workflows

SATB harmony workflow for choir directors

Choir prep desk

A choir director used the desk to sketch SATB rehearsals quickly, then loaded the best stack into notation software for rehearsal packets.

Faster rehearsal prep

four-part arrangement workflow for songwriters

Songwriter arrangement pass

An indie songwriter turned topline hooks into four-part references before deciding which harmony shape fit the chorus best.

More compareable versions

voice leading classroom demo with harmony desk

Classroom voice-leading demo

A teacher used solo playback on each part to explain spacing and movement without having to prepare multiple manual examples.

Clearer voice separation

Frequently asked questions about multi-part harmony desks

What does this harmony desk actually generate?+

It generates an SATB-style four-part arrangement from a lead melody, then lets you review the stack by voice.

Why is SATB fixed instead of a flexible voice count?+

This page is built on Coconet-style chorale harmonization, so being explicit about SATB is more honest than pretending the model is a freeform arranger.

What is the best input method?+

Lead MIDI notes are the most reliable. Text and audio are secondary paths that first convert into a lead melody before harmony generation.

Can I compare multiple arrangements?+

Yes. Save strong results to the arrangement shelf, then reload or replay them when comparing voicing directions.

Can I edit the generated voices note by note here?+

This page is arrange-first, not a full notation editor. Use Send Lead to Editor when you need detailed note-level adjustments.

Does it export directly to a DAW?+

It exports MIDI for DAWs and MusicXML for notation tools, plus a CSV summary for quick review and sharing.

Can beginners use it?+

Yes. The workspace keeps the flow narrow: lead line in, harmony stack out, then solo/play/export or save the arrangement.

Does it work for classrooms and choirs?+

Yes. The stacked voice layout is especially useful for classroom demos, rehearsals, and quick voice-leading walkthroughs.

Need a harmony stack you can actually compare and keep?

Generate a new SATB pass, save the versions that deserve a second listen, and move the lead line into the editor when it is ready for detailed shaping.